top of page



Tuesday, June 18, 2024

Natalie's Grandview

Since his neo-psychedelic Green On Red days, Chuck Prophet has been turning out country, folk, blues, and Brill Building classicism. 

His 15th studio record, The Land That Time Forgot, came out in 2020 and was called “swoony and romantic, with gorgeous backing vocals from Stephanie Finch” (No Depression)… and “populated by characters, tall tales and true stories sung in that plain-dealing half-spoken voice that can bring to mind Tom Petty.” (Mojo)


Thursday, July 11

Natalie's Grandview

Hot Tuna, Jorma Kaukonen and Jack Casady, perform with a well-honed and solid power – always in the groove from their years of experience and mutual inspiration. Started as a side project during Jefferson Airplane days, the constant, the very definition of Hot Tuna, has always been Jorma Kaukonen and Jack Casady. The two boyhood pals have never wavered in one of the most enduring friendships in Rock history.

From their days playing together as teenagers in the Washington, DC area, through years of inventive psychedelic rock in San Francisco (1996 Rock and Roll Hall of Fame Inductees), to their current acoustic and electric blues sound, no one has more consistently led American music for the last 50 years than Jorma Kaukonen and Jack Casady, the founders and continuing core members of Hot Tuna. At the 2016 Grammys, Jorma Kaukonen and Jack Casady were honored with Lifetime Achievement Awards.

Guitarist and vocalist, Jorma Kaukonen is a highly respected interpreter of roots music, blues, Americana, and popular rock-and-roll. Jorma’s repertoire goes far beyond psychedelic rock; he is a music legend and one of the finest singer-songwriters in music. Jorma tours the world bringing his unique styling to old blues while writing new songs of weight and dimension.

One of the most unique innovators in the sixty-year history of the bass guitar, Jack Casady made his sweeping melodic mark helping to create the “San Francisco Sound” with legendary rock group Jefferson Airplane. Jack went on to track with Jimi Hendrix, Crosby, Stills, Nash & Young, Warren Zevon, members of the Grateful Dead, John Lee Hooker, and Gov’t Mule. Casady, regarded as one of rock's greatest bassists, is certainly one of its most original. 


“Jorma Kaukonen is a force in American music, equally adept at fingerpicked acoustic folk and blues as he is at wailing on an electric.” – Acoustic Guitar

“Jack Casady is virtually unparalleled–and yet he has one of the most truly unique electric-bass voices in rock...he can melt into a supportive role but when opportunity knocks, he bursts forth with creative lines–both simple and ornate–that are unlike any you’ve heard” – Premier Guitar


Sunday, July 28

Natalie's Grandview

From boy band to one of the best power pop bands in the world, The Rubinoos are a must see. Best friends since junior high school, Jon Rubin and Tommy Dunbar started gigging in their teens. Based in Berkeley California, The Rubinoos were quickly snapped up by visionary label Beserkley Records along with stablemates Jonathan Richman and Greg Kihn. The band gained national prominence with their 1977 debut LP, The Rubinoos. Renowned rock critic, Gene Sculatti, called it “the best pop album of the decade.”

The Rubinoos have since gone on to release numerous albums with the help of iconic musician/producers such as Todd Rundgren, Kevin Gilbert, and most recently Americana staple Chuck Prophet. Over the years the band has developed a broad international audience having shared the stage with the likes of Elvis Costello and Tom Petty. Their infectious sound has appeared in multiple feature films and TV shows. The band’s television debut was on the legendary “Dick Clark's American Bandstand.” They sang the title theme song of the cult classic “Revenge of the Nerds” and their top 40 hit “I Think We’re Alone Now” opened the third season of the Netflix hit comedy “Sex Education.”


Most recently signed to the well-respected boutique label Yep Roc Records (Nick Lowe, Dave Alvin, Chuck Prophet), The Rubinoos have never been busier and continue to draw crowds worldwide. Playing regularly in Japan, Europe, and festivals and clubs across the US, the band is bringing Power Pop to a new generation.


Sunday, September 8

Natalie's Grandview

With rockabilly roots, a heartache-meets-honky-tonk voice, and extraordinary songwriting talent, Kelly Willis pioneered both Americana and the Texas young country scene with her debut album in 1990. Since then, Kelly has proven she can do it all, from contemporary to traditional and beyond, with finesse, smarts, and irresistible charm. As a new traditionalist singer-songwriter, her tunes effortlessly combine the storytelling and strings aspects of country music and the driving force of rock.

The New York Times wrote, “Kelly Willis looks back to country music before Nashville embraced power ballads and cute happily-ever-after songs. She has an old-fashioned country voice with a twang, a breathy quaver, a break or a throaty sob whenever she needs one.” Rolling Stone noted, “Willis’ Okie soprano still crackles like no other, and her control and phrasing make it more devastating than ever.” The solo and collaborative albums Kelly has made, which showcase her alluring voice and gifted songwriting, have only burnished her reputation as Austin’s reigning queen of Americana. Outlaw-era legend Ray Wylie Hubbard recently tweeted, “Kelly, you are the gold standard that I compare other artists to.”


Wednesday, October 23

Natalie's Grandview

Amy Rigby releases a new album Hang In There With Me through Tapete Records on August 30, 2024.  Eleven up to the minute songs written by Amy and recorded by Wreckless Eric at the couple’s home in upstate NY, Hang In There With Me is a bracing look at life inside the vortex of the last few years. Mortality, aging and youthful missteps refracted through Amy’s insightful lyricism emerge not wistful but resolute —even triumphant. Rigby's distinctive voice bluntly traverses love, loss and DIY projects gone wrong over guitars cranked or shimmering, indelible bass lines, a raft of synthesizers, keyboards, beat boxes and the occasional drummer allowed into Amy & Eric’s rustic mid-century echo chamber. 

Like some people turn to the moon and stars for inspiration, Amy Rigby looks to creative heroes like Bob Dylan and Mike Leigh. She finds poetry in haircuts, live chat boxes; bartending and bookselling. Her music is the sound of everyday people getting by, just like the country artists she loved and learned to write songs from.

Hang In There With Me examines the impossibility of life and living it anyway, with abandon. To celebrate the release of her new album, Amy will be touring the US and UK in October and November 2024.

Amy Rigby has established herself one of America’s enduring underground/cult/indie artists, combining the insight and humor of country and folk songwriting with classic rock craftsmanship and punk DIY spirit. She formed pre-Americana country band Last Roundup (Rounder) and Richard Hell’s favorite girl group the Shams (Matador) in downtown NYC before launching a solo career with 90s classic album Diary Of A Mod Housewife. Amy’s honest, kinetic songwriting has earned her praise from critics (“pithy wisdom, acerbic pen and sterling American guitar classicism” MOJO) and other artists: “Think Randy Newman and Loudon Wainwright, at their best,” says Steve Earle. Her songs have been covered by Laura Cantrell and Ronnie Spector, John Flansburgh of They Might Be Giants and Maria Doyle Kennedy. Her 2019 memoir Girl To City was called “an instant classic” by The Big Takeover. “You can smell the damp, see the clothes, hear the guitars!” says Goldmine. She divides her time between New York and the UK with her husband and sometime duo partner Wreckless Eric.


Tuesday, October 

Natalie's Grandview

When Grammy winner Dave Alvin and Grammy nominee Jimmie Dale Gilmore made the album Downey To Lubbock together in 2018, they wrote the title track as a sort of mission statement. “I know someday this old highway’s gonna come to an end,” Alvin sings near the song’s conclusion. Gilmore answers: “But I know when it does you’re going to be my friend.” 

Six years later, they’re serving notice that the old highway hasn’t ended yet. “We’re still standing, no matter what you might hear,” they sing on “We’re Still Here,” the final track to their new album Texicali. Due out Jun 21, 2024 on Yep Roc Records, Texicali continues to bridge the distance between the two troubadours’ respective home bases of California (Alvin) and Texas (Gilmore). 

The album’s geographic theme reflects Alvin’s repeated journeys to record in Central Texas with Gilmore and the Austin-based backing band that has toured with the duo for the past few years. The 11 songs on Texicali also connect the duo’s shared fondness for a broad range of American music forms. On their own, both have been prominent artists for decades. A philosophical songwriter with a captivating, almost mystical voice, Gilmore co-founded influential Lubbock group the Flatlanders in the early 1970s. Alvin first drew attention as a firebrand guitarist and budding young songwriter with Los Angeles roots-rockers the Blasters in the early 1980s. 

Gilmore is primarily known for left-of-center country music, while Alvin’s compass points largely toward old-school blues. But there’s a lot of ground to cover beyond those foundations, and both artists also are well-known for transcending genre limitations. So it’s not surprising that they’ve spiked Texicali with cosmic folk narratives, deep R&B grooves and even swinging reggae rhythms. “There’s such a strange variety through the whole thing,” Gilmore says. “And I love that.” 

They’re both quick to credit the musicians who joined them in the studio as crucial to the sound and spirit of the album. On Downey To Lubbock, they recorded primarily in Los Angeles with a crew that included ringers such as the late Don Heffington on drums and Van Dyke Parks on accordion. This time, though, Alvin’s longtime rhythm section of drummer Lisa Pankratz and bassist Brad Fordham played a larger role, along with guitarist Chris Miller and keyboardist Bukka Allen. “After the time we spent touring, Jimmie and I became members of this band,” Alvin says. “The band can play just about anything, which the album shows off.” 

Texicali also found Alvin and Gilmore increasingly focusing on original songs. Among them are “Trying To Be Free,” which Gilmore wrote more than 50 years ago; “Southwest Chief,” a collaboration between Alvin and the late Bill Morrissey; and “Death of the Last Stripper,” which Alvin wrote with Terry Allen and his wife Jo Harvey Allen. 

Just as important, however, are the choices they made for non-original material. The covers on Texicali include “Roll Around” by Gilmore’s longtime friend Butch Hancock; “Broke Down

Engine” and “Betty And Dupree” from blues greats Blind Willie McTell and Brownie McGhee, respectively; and Stonewall Jackson’s “That’s Why I’m Walking,” which marries Gilmore’s country croon to a New Orleans R&B arrangement. Gilmore says he loves New Orleans music, “but it’s not the music I play.” Dave slyly counters: “It is now!”

bottom of page